Thursday, 29 April 2010
Touch the space, catch the light!
DAV / Vis str. connected to ”Invisible space”
26-30. April 2010
by Eva Kun
Short tasks:
Touch the space!
Fine a -for you- valuable space at BAS (inside or outdoor)
Examine it, look at it different ways and make drawings showing different values, what you have discovered.
Touch it! Show it by a simple action.
Catch the light!
Use the same kind of process as already described.
Catch, capture light you find (preferentially natural light) and show it.
Main task:
Sensual meeting space for 2 persons.
Find your preferred place at the school.
Choose a main kind of activity for the meeting.
Special focus: space qualities like size (narrowness, height, wideness…) light, openness / closeness, materiality and additional important qualities related to the selected activity.
(It is not a matter of decoration but of fundamental spatial qualities.)
Reinforce existing qualities, complement, add or take away, clean, mark… etc.
Show the space, do it visible and demonstrate the use.
Output: Show the real works at reviews - not models.
Main task: Use at least body size, preferentially size related to architecture.
Your process is important as well as the result. By taking part in each others reviews you can learn a lot and help your colleagues. So, it is important that all of you are really active during the whole process, all the week!
Schedule:
Monday: Intro, lecture, questions, start working
Tuesday: Morning meeting, short review, individual talks
Wednesday: Morning meeting, working individually
Thursday: Morning meeting, working individually
Friday: Individual work, 13.15 final review
Please note: Times for the short reviews (in between) can be changed during the course.
We start every morning at 9.15!
Please meet precisely!
You will need some simple equipment to make drawings and maybe for building / constructing like a hammer, nails, screws, marking materials and probably something more. We don´t know yet what. You should be observant for free materials and possibilities in general.
You should expect to work intensively at school all this week.
Friday we keep on until the review is completed.
I will be at BAS available for you every day this week.
Enjoy your work!
Eva
E-mail: art@evakun.no
For sms: 911 31 978
Wednesday, 28 April 2010
Present Process at Phase 3 + Getting Physical
But when my site at BAS collided with Mari Laupsas plans, I though I´d reconsider.
So I remembered that the important issue for my user-partner with low vision, mainly are the visibility of level differences, exampled at the Galleriet Shopping Centre.
Adding to this - my wish of making BAS more nice on the public face, and thank you Vibeke for pointing out some interesting/connecting artists to check out (namely Piet Mondrian and Wassily Kandinsky).
http://en.wikipedia.org/wiki/Wassily_Kandinsky
http://en.wikipedia.org/wiki/Piet_Mondrian
Process Early at Phase 3
My thoughts was connected to the idea of contrasts, daylight filtering and further use of my element and material.
Please also check the next post that shows the present thoughts related to a new situation on the eastern facade and public face of BAS.
Saturday, 24 April 2010
Thursday, 22 April 2010
The empty corner at BAS
Wednesday, 21 April 2010
Inspiration for PHASE4?
I mentioned on the session earlier today that there has been buildings erected by students at BAS earlier. Check the enclosed photos for an idea of what have been done.
The pictures are from my 2nd grade and the course "Urban Shelter" with Finnish architect Sami Rintala in June 2006.
Please have a look at even more pictures at my Flickr-account on:
http://www.flickr.com/photos/brynlund/
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Finally!!!! My first time...
Tuesday, 20 April 2010
Final Invitiation
Planning on making this in a folder. Doblesided prints.
The two frames on the top are back and front,
and the lower frames are page 1 and 2.
Henrik
Monday, 19 April 2010
Invitation to Membrane exhibition May 6 th
Planning on sending this out by regular mail tomorrow, give me feedback if you have any. Planning on doing one in English as well. Oh, and I need the adresses for all the collaborators.
Henrik
Friday, 16 April 2010
Thursday, 15 April 2010
Tuesday, 13 April 2010
Update Exhibition groups, schedule and meeting
Monday, 12 April 2010
Presentation Phase 2 Element
Sunday, 11 April 2010
Impress Me!
Phase 3: membrane -May 5th presentation brainstorm
Following is what we decided from the brainstorming session this past friday. Nothing is concrete and we can shuffle responsibilities. We'll add a detailed list in class and discuss this monday.
Event: May 5th, Phase 3 - membrane
*Plan is to limit membrane installations to the ground floor and make all exhibits accessible. Also need accessible toilets (need to check teacher’s toilets next to the canteen to see if they are fit)
*Canteen is going to be the base
*Camilla has stressed that this event and inviting users is as important as the membrane
Membranes:
*need to also be aware of connections between each others exhibit, eg, like the game we play with Svien with all the objects next to each other - balance, communication...
Team 1: invitations [wed, April 14] - Luciana + Henrik + ...
-Info. on invites: presentations during day and exhibit afterwards, lunch, evening exhibit? Key scheduling.
Team 2: Program - Henrik +...
-program of the day - order
-canteen arrangements - drinks, food, bbq?
Team 3: accessibility - Markus + Eirik + Gunvor (already working with concrete and casting)+...
-ramps - guerrilla ramps - to be permanent even after the exhibition
-railings - where support is required
-assessment [mon, April 12] - what needs to be changed (on ground floor) in order to be made accessible
Team 4: plan - Therese, Mari (worked with ‘touch’ on study trip) +...
-plan - that users can understand and navigate through exhibits
-tactile markers - using existing universal design language to communicate
Team 5: signs/ understanding - Maria, Navjeet, Bruno +...
-signs: images, punjabi characters (Nav’s user) *keep all users in mind
-documentation; film the spaces that they will not see, eg. the spaces above ground floor
-this can be played during the exhibit in the canteen.
-1:50 model of the school
Team 6: Cleaning - Everyone
Saturday, 10 April 2010
Friday, 9 April 2010
Part II-Element
Phase 2 Element - Luciana Garcia
Thursday, 8 April 2010
Wednesday, 7 April 2010
Tuesday, 6 April 2010
Monday, 5 April 2010
Carpet in 3D
Process and inspiration
What inspires me about my deafblind collaborator, Bent are Nielsen, is that he seems strong and grounded, happy and present. Even though he is considered legally blind, I constantly try to get an idea of how he still is able to see. During our collaboration I have not only tried to learn how a deafblind person gather information from the external environment, but also about the relationship between our brain and senses.
Most individuals who are deafblind are not completely deaf and completely blind. From what I have learned, there is a lack of understanding and awareness in the community of what deafblindness actually means. Through our senses we make new meanings of our environment, of ourselves, and people around us. With what kind of tools may we define that process of creating meaning?
Even though Bent are Nilsen is a man of relatively few words, he has this indescribable charisma that tells me a lot about him. I believe that his contentment has a lot to do with the fact that he is not alone. He lives with his dear partner, whom understands him, since she has similar abilities, and whenever he leaves the house, his dog or his assistant accompanies him. He seemed to have a strong relationship with his assistant.
I was thinking of using a material related to something in his past and to combine it with something from his present. To work in the industry with finger-sized pieces made him relax in the past, and it was a form of socializing as well. From what I learned during our material workshops the size and organization of things really made sense to his appreciation and understanding of things.
According to my collaborator, the understanding of an object or a surface is easy if it has got one type of tactile surface or material and one repetitive shape, consistence and temperature. However, if the object or surface has got two sides, he would find it interesting if they contrasted each other.
I started to think of organizing and structuring things, looking into some sources of inspiration. I started experimenting with different shapes that were abstract and representative of something bigger, in a sensory way. For example the shape of a seashell, that has an incredibly beautiful balance and contrast between the surface and smell of its outside and the gentle sound of wind and waves coming from its inside.
Working with objects and a surface with complementary sensory differences became my mission.